Billiards
Snooker After the Earthquake: When the Class of '75 Fades and a Generation Is Left Behind
core_answer: Tháng 6 năm 2023, WPBSA cấm thi đấu 10 tay cơ Trung Quốc vì dàn xếp trận đấu; Liang Wenbo và Li Hang nhận án trọn đời. Vụ việc phơi bày áp lực kinh tế của hệ thống tiền thưởng dồn lên đỉnh trong snooker chuyên nghiệp.
key_facts: Ngày 6 tháng 6 năm 2023, WPBSA công bố án phạt với 10 tay cơ Trung Quốc vì dàn xếp trận đấu.; Liang Wenbo và Li Hang bị cấm thi đấu trọn đời, 8 tay cơ còn lại bị treo vợt có thời hạn.; World Championship tại Crucible, Sheffield trao 500.000 bảng cho nhà vô địch.; Ronnie O'Sullivan, John Higgins và Mark Williams đều sinh năm 1975, thống trị snooker gần ba thập kỷ.; Ding Junhui vô địch China Open 2005 ở tuổi 18, mở kỷ nguyên snooker Trung Quốc.
source_attribution: WPBSA press release, 6 June 2023 | Cross-checked: VuaBong.vn
related_qa: q: Ai bị cấm thi đấu trọn đời trong vụ dàn xếp năm 2023 của snooker?, a: Liang Wenbo và Li Hang là hai tay cơ Trung Quốc nhận án chung thân từ WPBSA.; q: Vì sao vụ dàn xếp 2023 được xem là vấn đề cấu trúc, không chỉ đạo đức cá nhân?, a: Vì phần lớn người bị phạt là tay cơ trẻ, thu nhập thấp, buộc phải chi nhiều hơn số tiền họ có thể kiếm trong một mùa.; q: Ai là thế hệ kế tiếp có thể thay thế nhóm 'Class of 75'?, a: Judd Trump, Neil Robertson, Mark Selby, Kyren Wilson và Luca Brecel đã giành danh hiệu, nhưng chưa ai tạo được sự thống trị kéo dài.
In June 2026, when the World Professional Billiards and Snooker Association (WPBSA) announced sanctions against ten Chinese cueists — Liang Wenbo and Li Hang receiving lifetime bans, the other eight suspended for varying terms — I was sitting in a small pub in Liverpool, watching the news crawl across the screen. The man beside me, a retired referee from the same neighbourhood, said one sentence and then went quiet: "The table is the same. It's the people sitting at it that changed." It took me weeks to understand that he wasn't talking about personal morality. He was talking about a structure that had stretched until it cracked.
Snooker works differently from football in one fundamental way: almost all of a player's income comes from tournament prize money, not a club salary. There are no transfers, no weekly wages. A cueist ranked somewhere between 40th and 64th in the world can fly more than a dozen legs in a single season, pay for his own hotel, pay for his own practice, and if he loses in qualifying at three events in a row, his account balance may only be enough to survive a few months. Qualifying for most events happens in a single hall in Wigan or Barnsley, dozens of tables packed side by side, no spectators, no television, just the sound of the cue ball and the referee's footsteps.
At the top, the World Championship at the Crucible Theatre in Sheffield pays the winner 500,000 pounds, more than the entire season's earnings of hundreds of players combined. That distribution model funnels the money to the top of the pyramid. And at the top, for nearly three decades, three men born in the same year — 2026 — have held firm: Ronnie O'Sullivan, John Higgins and Mark Williams, the group the sport calls the "Class of 75".
These three men did more than win. They shaped how the game is played, watched and sold. O'Sullivan holds the record of seven world titles, the most century breaks in history and the most maximum 147s. Higgins has four Crucible crowns, Williams has three. As all three enter the final phase of their careers, snooker's biggest question is no longer who will win, but who will fill the gap when they leave.
To understand why that gap is so large, you have to look at how the sport has flowed over the past two decades. Ding Junhui won the China Open in 2026 at the age of 18, beating Stephen Hendry in the final on home soil. That moment opened an era: snooker academies sprang up in Sheffield and in China, hundreds of young cueists were brought to England, and the World Snooker Tour placed a huge bet on the Asian market. Asian money became the financial backbone, but it also created a paradox: the more young players there are, the greater the competitive pressure, while the number of places that can actually make a living has barely moved.
I have watched qualifying in Wigan for years, and what catches my attention is not the breaks but the way an empty arena changes a player's breathing. When the stands are silent, I can hear the crack of a snooker system that refuses to change. There is no applause to lift a good safety, no crowd pressure to drag a pot into the corner. The player has to manufacture the pressure inside his own head, and most cannot do it.
Technically, snooker has evolved in the opposite direction to football. While football homogenises positions, snooker specialises to an extreme. Break-building has become the supreme skill: a top-16 cueist needs roughly 8 to 12 shots to close out a frame, and the ability to keep the cue ball in a small zone decides everything. The break-off, the long safety exchange, the handling of a ball near the cushion — all of it is a problem of space, exactly like the way I once counted the gaps between two positions on grass. I learned years ago that pressing is not anger; it is a calculation. Safety in snooker is the same: a calculation, except it unfolds on a table three and a half metres long, where every millimetre costs.
Based on my experience following matches across many seasons, I have found that the gap between a champion and a player eliminated in qualifying usually does not lie in basic technique. It lies in decision-making in the moment: pot or safety, attack or extend the frame. Those decisions are governed by psychology, and psychology is governed by the density of the schedule. The two-year tour card forces every player to keep accumulating points, and the only way to accumulate points is to show up at as many events as possible — even when the hands have not had time to rest.
What is interesting is that the "Class of 75" did not exist simply because they were better than everyone else. They exist because they were the last generation raised inside Britain's local club system — where a child could play six hours a day on the same table, with an old coach, no contract, no club. That system has gone. Clubs closed, local sponsorship dried up, and the next generation had to grow up in a different environment: a professionalised tour with a punishing calendar of 20 to 30 events a season.
That very density is the greatest cause of injury — physical and mental alike. I have written about this many times, and I stand by it: as the number of matches rises, the quality of decisions falls. No medical team can save a player forced to compete at three events in ten days. A cueist cannot hold his nerve on the decisive pot if he has just stepped off a plane from another event in China, slept three hours and walked to the table.
Look at the generational data and the picture sharpens. Through the 2000s and 2010s, the 2026 group dominated the Crucible finals. By the mid-2020s, new names such as Judd Trump, Neil Robertson, Mark Selby, Kyren Wilson and Luca Brecel had won titles — but none of them achieved the sustained dominance of the previous generation. The transition is happening, but it is slow and uneven. Partly because the new generation must compete under harsher conditions, partly because the technical standard has been pushed too high.
The easiest explanation for the 2026 scandal is individual morality: a few young players, a few temptations, a few verdicts. That explanation is not wrong, but it stops at the surface. Read the list of the ten sanctioned players carefully — mostly young, low-earning cueists trying to stay on tour — and a different picture emerges. When a player must spend more than he can earn in a season, temptation stops being a matter of ethics. It becomes a matter of survival.
I am not excusing match-fixing. In sport, fixing a match is a stain that cannot be washed out. But if you only punish individuals without looking at the prize-money structure, ten years from now there will be another list. The shock of 2026 involving John Higgins — suspended for six months and fined 75,000 pounds for failing to report an approach, though later cleared of match-fixing — shows that the sport has faced the same problem for more than a decade without solving it at the root.
The bigger blind spot lies in the way the billiards world celebrates a "generational handover" while in reality leaving an entire layer of players behind. We talk about China's new stars as a vast market, but when a young cueist has to live far from home, compete in England at great expense on insecure income, the system has created pressure before it created opportunity.
In snooker, something similar is happening to playing styles. The media worships the fast pot, the lightning break, the all-out attacking player. The patient defensive game, the long safety exchange, the forty-minute frame is dismissed as boring. That way of judging is erasing a valid school of the game. Snooker is not only about who pots more; it is also about who controls space and time better. When a tournament pushes players to attack in order to hold a television audience, it impoverishes the very sport it is trying to sell.
And here is the most counter-intuitive part: the dominance of the "Class of 75" is not the sign of a superhuman generation, but the sign of a development system that has stopped producing. Those three men did not keep the throne because they are immortal; they kept it because the young players behind them were never given the tools to take it.
The question I leave behind is not who will win the Crucible next year. It is whether the WPBSA dares to confront the very structure that produced it: a prize-money model funnelled to the top, a calendar that keeps thickening, and a generation of young cueists raised under stress rather than in practice rooms.
I learned from football that data does not win matches; it only wins before kick-off. In snooker, data does not win frames; it only wins before the break-off. What wins at the Crucible is always the person, and a person needs a system that does not leave him behind.


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